In the final scene of Ibsen’s 1879 groundbreaking masterwork, A Doll's House, Nora Helmer closed the door on her husband and family in order to find herself. In A Doll's House, Part 2 modern playwright Lucas Hnath imagines that she comes back through that door fifteen years later. Where has she been? What does she want? In a round of provocative and often hilarious skirmishes with the members of her abandoned household, Nora struggles with the difficult balance between truth to oneself and responsibility to others.